Company of Wolves is a laboratory theatre company based in Glasgow.

Anna Porubcansky

Anna is a musician, performer, and live sound designer who works in classical, traditional and choral song, polyphony, and natural voice. Her primary focus is on anatomy, neurology, and the relationship between voice, breath, movement and body. Anna has worked with world-renowned teachers including Kristin Linklater, Katie Duck, and Frank van de Ven, and has extensive experience leading community projects across cultures. She holds a PhD in Theatre and Sociology from Goldsmiths, University of London.

Ewan Downie

Ewan read philosophy at Edinburgh University, and trained as an actor at Dublin’s Gaiety School of Acting. In 2004 he moved to Poland where he spent eight years immersed in the Laboratory Theatre tradition, first as a student, then as a member of Teatr Piesn Kozla.

He has worked with and learned from many extraordinary practitioners, including Kristin Linklater, Keith Johnstone, Katie Duck, Professor Zygmunt Molik, Natalie Goldberg and Ian Spink.

He has directed or performed in all of Company of Wolves’ work to date, and has taught movement, improvisation, devising and creative practice for over 20 years.

Corinne Salisbury

Corinne Salisbury's producing experience stems from working as Administrator for various theatre companies and venues since 2007, before she took on the role of full-time Shared General Manager for a consortium of new writing theatre companies - nabokov, Theatre Uncut, Forward Theatre Project and Pieces Productions - from 2013 to 2015, in an innovative cross-organisation role funded by the Paul Hamlyn Foundation.

Since going freelance in 2015 she has worked as producer, tour-booker and fundraising consultant for companies including Fifth Word (associate company at Oxford Playhouse), Company of Wolves, Tavaziva Dance, Jabuti Theatre, Paper Doll Militia, Fuora Dance Project, The DH Ensemble, Faction Theatre, Theatre Uncut, Tangled Feet, Forward Theatre Project, 59 Productions, Poleroid Theatre, Les Enfants Terribles, Notnow Collective, Sheer Drop Theatre and the Bush Theatre.

Abbie Wallace

Abbie Wallace has over 25 years experience in working in arts facilitation, coordination and management in professional and educational settings. She currently works freelance supporting various organisations by was previously the Short Courses Manager at the Royal Conservatoire of Scotland (RCS) and Arts Development Officer at Scottish Refugee Council. Abbie is also an Intimacy Coordinator for film and television, working with actors, directors, producers and crew to ensure the rehearsal and performance of intimate content is creative, inclusive and safe. She is a mentor for the Federation of Scottish Theatre and a coach for the RCS Fair Access department.

Eilidh Northridge

Her practice largely focuses on delivering inclusive, accessible performances, with a particular emphasis on reaching rural areas. She is currently developing her knowledge of best practice, policy, and risk management. Eilidh has worked with the Tron Theatre, Good Chance Productions, and surrogate productions, and is associate producer for The Not-God Complex and Somewhere Between.